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在现有的关乎中国两千余年文学通史的著作中,女性作家只占了一个几乎可以忽略不计的边缘位置;在规范的作品选集中,产自女性的作品真乃微乎其微。而文学作为人学,文学史作为人类心灵活动之史,少了这人类第二性的活动,岂能是历史的真实?尤其是当先民文明的步履蹒跚而至有清一代,闺阁诗人的活动已是令人瞩目的活跃,若仍摒弃其创作成果,无视其曾有的贡献,无疑是有失公允的固执。要扪摸人类心灵的搏动,则切准作为抒情主体的两性各自的脉息,体认其在共同的生存环境、文化背景之下形成的信息场、生物圈中的变互影响,是文学作为人学研究的锁钥。
Among the existing books on the general history of more than two thousand years in China, female writers occupy only a marginal position that is almost negligible; in the normative anthology of works produced by women, the number of works produced is negligible. Literature as human studies, literary history as the history of human psychic activity, less humanity secondary activity, how can it be the truth of history? Especially when the civilization of the ancestors faltered and there is a generation, the boudoir poets The activity has been a remarkable activity. If we still abandon its creative achievements and disregard its previous contributions, it is undoubtedly unfounded. To palpitate the pulse of the human mind, then cut off as the main body of the gender of the respective pulse, to recognize its common living environment, cultural context formed under the information field, changes in the biosphere mutual influence is literature as humanity Key to study.