新时期以来,中国社会处于由计划经济向市场经济、精英文化向大众文化、权威意识向平民意志转型时期,已有的思想尚未完全丧失生命力,而新的观念却已经如雨后春笋般迅猛崛起。转型期文化的多元性,决定了新时期历史题材小说叙事方法的多元性;或者说,日益宽容的文化氛围,使得新时期作家在叙述民族历史时,已经可以自由地选择其创作立场。中国历史题材小说的创作于是发生了许多重大的变化,其中最引人注目的,则是不少小说家纷纷突破了传统历史小说的叙述模式,而在叙述本文、叙述聚焦和叙述形态等方面进行执著且卓有成效的探索,并逐渐形成新的创作范式,而对后继者发生长远且深刻的影响。一、戏剧性的艺术张力从叙事学的观点来看,故事一般有两种含义。其一是泛指一切被文本讲述的全部事件。法国叙 Since the beginning of the new era, the Chinese society has not yet completely lost its vitality in the transition from a planned economy to a market economy and an elite culture to popular culture and authoritativeness to the will of the common people. However, new ideas have sprung up like mushrooms. The diversity of cultures in the transitional period determines the pluralism of narrative methods in the historical novels of the new era. Or, the increasingly tolerant cultural atmosphere makes the writers in the new period have the freedom to choose their creative standpoints when narrating the national history. Many major changes have taken place in the creation of Chinese historical novels, most notably the fact that many novelists have broken through the narrative patterns of traditional historical novels one after another, but have done so in narration, narration, narration, etc. Perseverance and fruitful exploration, and gradually form a new paradigm of creation, and the successor of the long-term and profound impact. First, the dramatic artistic tension From a narrative point of view, the story generally has two meanings. One is to refer to everything that is told in the text. French Syria