影像──影迹──书法图象──书法艺术构成的逻辑分析傅京生一书法艺术的审美自觉，是在汉末至魏晋间定型的，但在此之前，书法艺术已经经过漫长孕育与探索，在＂铸鼎象物＂观驱使下，已经有了美与社会教化合一的审美内蕴。嗣后，汉代以巨碣碑颂形式表现的隶书，也无一不... Imagery ─ ─ Traceages ─ ─ Calligraphic Images ─ ─ A Logical Analysis of the Composition of Calligraphy Fu Jingsheng’s aesthetic consciousness of calligraphy art is stereotyped from the end of the Han Dynasty to the Wei and Jin dynasties, but before that, calligraphy art has undergone a long period of gestation and exploration Under the motto of “Casting the Tripod Image”, the aesthetic connotation of integrating beauty with social teaching has already existed. Subsequently, the Han Dynasty in the form of giant inscriptions official script performance, and neither ...