戏剧禁毁是中国戏剧史上既常见又独特的现象,涉及戏剧研究中丰富复杂的课题。禁毁与中国戏剧相伴相生,而清代的戏剧禁毁则为历代封建王朝之最。虽然清政府对人们欣赏戏剧做出了诸多限制,但却始终不能阻挡人们对传统戏剧的喜爱。清末国家剧变,社会动荡,戏剧欣赏主体(本文主要指女性观众、八旗子弟和戏曲研究者等)也发生了很大变化,反映出清末戏剧的新旧裂变。 Drama ban is a common and unique phenomenon in the history of Chinese drama, involving a rich and complex subject in drama studies. Banned and accompanied by the Chinese drama, while the ban on the destruction of the Qing Dynasty is the most ancient feudal dynasties. Although the Qing government made many restrictions on people’s enjoyment of drama, it still can not stop the people’s love of traditional drama. The drastic changes in the state, social unrest and drama appreciation in the late Qing Dynasty (this article mainly refers to the female audience, the children of the Eight Banners and the opera researchers, etc.) have also undergone great changes, reflecting the fissure existing in the late Qing Dynasty.