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This was the fifth time that Frances Chen, the Taiwanese founder of Franz Collection Inc., attended the CrossStraits Cultural Industries Fair (CSCIF), an annual event held in Xiamen, southeast China’s coastal Fujian Province.
Franz Collection Inc. is a leading company that designs, creates and markets a variety of functional and home decor accessories. The collection includes porcelain tableware, vases and decorative accents, as well as a line of exquisite jewelry.
“Last year, my company’s exports were affected by the ongoing economic woes in the United States and Europe,” said Chen.“Luckily, we still have the mainland market, which is stable and promising.”
Franz Collection entered the mainland in 2005 and has been enjoying an average annual sales growth of over 20 percent. Right now, sales on the mainland account for 25 to 30 percent of the company’s total, said Chen.
“When I created Franz Collection back in 2002, the United States was my major target market. Now great changes have taken place. The mainland market has become quite stable and we very much look forward to growing here. It’s the focus of our future efforts.”
Franz Collection is one of the over 600 culture, entertainment, TV and movie companies from Taiwan seeking business opportunities with their mainland counterparts at the Fifth CSCIF in Xiamen, which ran from October 26-29, 2012.
The annual fair, which is the most sought-after jumping point for Taiwan-based companies aimed at the mainland market, is an opportunity for creative minds on both sides of the Straits to exchange ideas.
Su Shih-Chung, Secretary General of the Taiwan Venture Capital Association, said companies in Taiwan are good at coming up with original ideas, but they need the market on the mainland to give those ideas better reach.
Both sides would benefit from deepened cooperation, he said at the Cultural Industry Investment Forum, a sideline of the CSCIF.
Addressing the opening ceremony, Ye Kedong, Deputy Director of the Taiwan Affairs Office of the State Council, said the fair, will lead to a prosperous culture industry for both sides and promote Chinese culture internationally.
A welcome move
Over the years, various government departments and companies on the Chinese mainland have aimed to create a hospitable environment to encourage the presence of Taiwan companies.
Taiwan’s cultural industry has many advantages compared to those on the mainland, said Xu Xiangming, Deputy Director of the Xiamen Bureau of Culture, Broadcasting, Television, Press and Publication.
“They had an earlier start and more experience in international operations. They also have better marketing skills. Finally, there is solid interaction between industry players and the local government, and together they collaborate in pushing the industry forward,” Xu told Beijing Review at the Fifth CSCIF.
Due to its proximity to Taiwan, Fujian Province, and Xiamen in particular, has served as the frontier of cross-Straits cultural exchange.
The Fujian and Taiwan Cultural Industry Park in Xiamen, established in 2011, was granted the title of National Cultural Industry Trial Zone by the Ministry of Culture in August 2012.
Covering an area of 20 square km, the park features five specific zones: digital technology and new media, creative design, TV and film, antique handcrafts and culture and tourism.
Magical Times Digital Technology Co. Ltd. is a top animation and cartoon company located in Fuzhou, the provincial capital. Its 2011 movie Wishes of Little Stars was a joint project with a Taiwan-based digital company.
In an effort to build its international busi- nesses, Magic Times hired five consultants from Taiwan.
The Taiwan team is responsible for the marketing of the company’s key project, the Dou Dou Tiger series.
“They do have a better understanding of image design. Our previous image of Dou Dou Tiger was rather bland. But after the Taiwan team made changes, the image is now perfect for our target audience,” said Fang Yanhong, PR Manager of Magical Times.
Tapping a huge market
For many Taiwan-based companies, the first thing that comes to mind regarding the mainland is an immense market potential. The second is establishing ties with mainland businesses.
Tsao Chung-piao, General Manager of Epackage Creative Packaging Solutions, a Taiwan-based company that offers creative packaging solutions, came to the Fifth CSCIF to look for opportunities with mainland counterparts.
Visitors at Tsao’s booth were astonished by his paper-made, tables, trashcans, clothes hangers, and bookshelves, and were further surprised to learn that his paper-made chair can support a weight of up to 200 kg.
“I have a shop in Taiwan and don’t plan to open more shops there because its market is small. That’s why we came to this year’s CSCIF—for the bigger mainland market. We are looking for large packaging factories or advertisement companies that we can cooperate with. They will be responsible for the manufacturing and we will offer our creative ideas on paper packaging,” said Tsao. “I’m quite confident about the profitability of this business in the mainland market.”
Lee Yung-moo is a Taiwanese artist who owns a studio specializing in creating objects made from trees. His booth at the Fifth CSCIF was filled with flowers made of tree leaves and animals woven together with bark.
“Trees give human beings oxygen and hold water, making them a vital aspect of human life. Human beings should never feel superior to plants and creatures but should worship life in any form. We hope to bring this concept to the mainland,” said Lee.
Oliver Chen is the managing director of the Taipei Film Trade Association, which represents roughly 160 Taiwanese film industry players. This is the first time that Chen has come to the CSCIF on behalf of the association.
“Taiwan-based film companies want to tap the mainland market very much,” he told Beijing Review. “The mainland market has become indispensable for us.”
Taiwan and the mainland are like brothers who share ancestry and the same language, said Chen, adding that Taiwan needs the mainland’s huge market potential as much as the mainland needs Taiwan’s expertise in the film industry.
For Chen of Franz Collection, Franz can help improve creativity on the mainland.
“Artists on the mainland often over-estimate the function of ancient Chinese elements in their designs. Their designs should instead be closely related to daily life and emphasize universal themes. That’s what they need to pay more attention to in the future,” said Chen.
Franz Collection Inc. is a leading company that designs, creates and markets a variety of functional and home decor accessories. The collection includes porcelain tableware, vases and decorative accents, as well as a line of exquisite jewelry.
“Last year, my company’s exports were affected by the ongoing economic woes in the United States and Europe,” said Chen.“Luckily, we still have the mainland market, which is stable and promising.”
Franz Collection entered the mainland in 2005 and has been enjoying an average annual sales growth of over 20 percent. Right now, sales on the mainland account for 25 to 30 percent of the company’s total, said Chen.
“When I created Franz Collection back in 2002, the United States was my major target market. Now great changes have taken place. The mainland market has become quite stable and we very much look forward to growing here. It’s the focus of our future efforts.”
Franz Collection is one of the over 600 culture, entertainment, TV and movie companies from Taiwan seeking business opportunities with their mainland counterparts at the Fifth CSCIF in Xiamen, which ran from October 26-29, 2012.
The annual fair, which is the most sought-after jumping point for Taiwan-based companies aimed at the mainland market, is an opportunity for creative minds on both sides of the Straits to exchange ideas.
Su Shih-Chung, Secretary General of the Taiwan Venture Capital Association, said companies in Taiwan are good at coming up with original ideas, but they need the market on the mainland to give those ideas better reach.
Both sides would benefit from deepened cooperation, he said at the Cultural Industry Investment Forum, a sideline of the CSCIF.
Addressing the opening ceremony, Ye Kedong, Deputy Director of the Taiwan Affairs Office of the State Council, said the fair, will lead to a prosperous culture industry for both sides and promote Chinese culture internationally.
A welcome move
Over the years, various government departments and companies on the Chinese mainland have aimed to create a hospitable environment to encourage the presence of Taiwan companies.
Taiwan’s cultural industry has many advantages compared to those on the mainland, said Xu Xiangming, Deputy Director of the Xiamen Bureau of Culture, Broadcasting, Television, Press and Publication.
“They had an earlier start and more experience in international operations. They also have better marketing skills. Finally, there is solid interaction between industry players and the local government, and together they collaborate in pushing the industry forward,” Xu told Beijing Review at the Fifth CSCIF.
Due to its proximity to Taiwan, Fujian Province, and Xiamen in particular, has served as the frontier of cross-Straits cultural exchange.
The Fujian and Taiwan Cultural Industry Park in Xiamen, established in 2011, was granted the title of National Cultural Industry Trial Zone by the Ministry of Culture in August 2012.
Covering an area of 20 square km, the park features five specific zones: digital technology and new media, creative design, TV and film, antique handcrafts and culture and tourism.
Magical Times Digital Technology Co. Ltd. is a top animation and cartoon company located in Fuzhou, the provincial capital. Its 2011 movie Wishes of Little Stars was a joint project with a Taiwan-based digital company.
In an effort to build its international busi- nesses, Magic Times hired five consultants from Taiwan.
The Taiwan team is responsible for the marketing of the company’s key project, the Dou Dou Tiger series.
“They do have a better understanding of image design. Our previous image of Dou Dou Tiger was rather bland. But after the Taiwan team made changes, the image is now perfect for our target audience,” said Fang Yanhong, PR Manager of Magical Times.
Tapping a huge market
For many Taiwan-based companies, the first thing that comes to mind regarding the mainland is an immense market potential. The second is establishing ties with mainland businesses.
Tsao Chung-piao, General Manager of Epackage Creative Packaging Solutions, a Taiwan-based company that offers creative packaging solutions, came to the Fifth CSCIF to look for opportunities with mainland counterparts.
Visitors at Tsao’s booth were astonished by his paper-made, tables, trashcans, clothes hangers, and bookshelves, and were further surprised to learn that his paper-made chair can support a weight of up to 200 kg.
“I have a shop in Taiwan and don’t plan to open more shops there because its market is small. That’s why we came to this year’s CSCIF—for the bigger mainland market. We are looking for large packaging factories or advertisement companies that we can cooperate with. They will be responsible for the manufacturing and we will offer our creative ideas on paper packaging,” said Tsao. “I’m quite confident about the profitability of this business in the mainland market.”
Lee Yung-moo is a Taiwanese artist who owns a studio specializing in creating objects made from trees. His booth at the Fifth CSCIF was filled with flowers made of tree leaves and animals woven together with bark.
“Trees give human beings oxygen and hold water, making them a vital aspect of human life. Human beings should never feel superior to plants and creatures but should worship life in any form. We hope to bring this concept to the mainland,” said Lee.
Oliver Chen is the managing director of the Taipei Film Trade Association, which represents roughly 160 Taiwanese film industry players. This is the first time that Chen has come to the CSCIF on behalf of the association.
“Taiwan-based film companies want to tap the mainland market very much,” he told Beijing Review. “The mainland market has become indispensable for us.”
Taiwan and the mainland are like brothers who share ancestry and the same language, said Chen, adding that Taiwan needs the mainland’s huge market potential as much as the mainland needs Taiwan’s expertise in the film industry.
For Chen of Franz Collection, Franz can help improve creativity on the mainland.
“Artists on the mainland often over-estimate the function of ancient Chinese elements in their designs. Their designs should instead be closely related to daily life and emphasize universal themes. That’s what they need to pay more attention to in the future,” said Chen.