不少评论称吴俊勇是意识形态批判和政治讽刺型的创作者,而最近吴俊勇在蜂巢的个展,展示了他对于形的痴迷研究的一面,也就是说他对事物外部特征、符号的研究大于其批判性。这可以解释他对于剪影的偏爱,这恰恰是一种集中体现事物外形的表现方式,简易而有效。创作时间较早的两件《鸟兽散》(2010)和《时间的胃》(2011)确有所谓“意识形态批判”的意味。偶像坍塌 Many commented that Wu Junyong is an ideological critique and a politically satirical creator. Recently, Wu Junyong’s solo exhibition at the Hive demonstrated his obsession with forms of obscurity, which means that his research on the external features and symbols of things is greater than that of his Critical. This can explain his preference for the silhouette, which is precisely a manifestation of things that reflect the shape of things, simple and effective. The two earlier pieces of “Animal Beast” (2010) and “The Stomach of Time” (2011) did have the implicit meaning of “ideological criticism.” Idol collapsed