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本期我们介绍西方著名电影艺术家卓别麟论艺术的一篇文章,供参考。卓别麟在“论幽默”一节中说:“人类的行为和人生一样不可解;人生的主题是冲突和痛苦”;认为“幽默是由于我们在表面看来是正常的行为上看出有那一点异样;由于有了幽默,我们就不大受到人事无常的打击。”在“论戏剧写作”一节中,他认为“有了戏剧感,没有内容也能取得效果”。在谈到“表演艺术”时,他认为“表演主要靠的是情感”;“一个伟大演员的基本要素是爱表演中的自己”;等等。显然这些观点在那些鼓吹“为艺术而艺术”、“形式主义”、“唯情论”的西方资产阶级艺术理论家中间是常见的。
In this issue we introduce an article on the art of famous Western movie artist Chaplin, for reference. Chaplin, in his section on Humor, said: “Human behavior is as unmanageable as life; the subject of life is conflict and misery.” Humor is due to the fact that we see it on the face of what appears to be normal It’s a bit strange, and because of the humor, we’re not much hit by the uncertainties. “In the section on drama writing, he thinks” there is a sense of drama, and there is no content that works. “ When it comes to ”performing arts,“ he thinks ”performance depends mainly on emotion.“ ”The basic element of a great actor is himself in love performance.“ Obviously, these views are common among Western bourgeois art theorists advocating ”art for art,“ ”formalism,“ and ”exclusive sentiment."