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三国文化在邮票的方寸之间绽放芳华。公元196年,汉献帝迁都于许,改元“建安”。以建安为年号的25年是东汉王朝的最后25年,这25年,使许昌从一内地小县一跃成为一代帝都,也造就了中国历史上第一个真正意义上的文学繁荣时期,史称建安文学,它对中国文学最大的贡献是确定了“建安风骨”这一影响后世文学上千年的美学范式。2017年4月28日,许昌第十一届三国文化旅游周开幕式上,举办了《建安文学》邮票发行式。《建安文学》邮票采用6枚版式,主图选取中国文化遗产标志——太阳神鸟,附图为“三曹父子”及其代表作,分别为:曹操的《观沧海》、曹丕的《燕歌行》、曹植的《洛神赋》。邮
Three cultures bloom in the square between stamps. In AD 196, Han Xian emperor relocated in Xu, change Yuan “Jian An ”. The 25 years of Jian’an’s reign was the last 25 years of the Eastern Han Dynasty. In these 25 years, Xuchang leapt into a generation of imperial capitals from a small hinterland in the Mainland and created the first truly literary boom in Chinese history. History of Jian’an Literature, its greatest contribution to the Chinese literature is to determine the “Jian-An Fenggu ” This is the impact of literary millennium of aesthetics paradigm. On April 28, 2017, at the opening ceremony of the 11th Three Kingdoms Cultural Tourism Week in Xuchang, the “Jian’an Literature” stamp issue was held. “Jian’an Literature” stamps with 6 layouts, the main map to select the Chinese cultural heritage symbol - Sun Bird, the photo is “Cao Cao and his son ” and its representative works are: Cao Cao’s “view of the sea”, Cao Pi’s “ Yan Gexing ”, Cao Zhi’s“ Luo God Fu. ” mail