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最近三十来年,中国画界的展览中,工笔画的势头愈来愈旺。以前水墨大写意一统天下的局面被工笔逐渐渗透,终至今天的两者平分天下,而工笔画且时时有后来居上过半之势。这使得工笔画界十分兴奋。其实,工笔画的崛起势头是以水墨写意画逸笔草草太不求形似以致随意乱画为基础的。亦即工笔画以其造型严谨、制作认真,对写意流弊有纠偏之效。但随着工笔画半壁江山的确立,问题亦日积月累、越来越多:题材雷同、主题雷同、
In the recent thirty years, the exhibition of Chinese painting circles has drawn more and more vigorously. In the past, the situation in which the ink brushstroke dominated the world was gradually infiltrated with meticulouss, and the two have finally split the world today. This makes the drawing community very excited. In fact, the rising trend of the fine brushwork is based on the freehand brushwork of freehand brushwork. In other words, the style of strokes is meticulous and rigorous. However, with the establishment of half of the strokes in the country, the problems have also increased with time and again and more and more. The themes are the same, the themes are the same,