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电影是一种综合性艺术形式,电影的艺术真实和生活真实之间的关系一直是西方电影界的核心话题。从经典理论到当代理论,从符号学到认知心理,导演、理论家和学者们常常就此争论不休,他们从哲学、美学、心理学、电影技术等各个方面提出不同观点。在探讨电影与现实时,要在具体的社会、历史、文化之中关注电影对现实的表征方式和观众对电影的接受心理,这样才能更为全面地把握电影艺术、观众和现实三者之间的关系。
Cinema is a comprehensive art form. The relationship between the true art of the film and the real life has always been the core topic in the Western film industry. From classical theory to contemporary theory, from semiotics to cognitive psychology, directors, theorists and scholars often argue endlessly. They put forward different opinions from various aspects such as philosophy, aesthetics, psychology and film technology. In the discussion of film and reality, we should pay attention to the representation of the reality of the movie and the psychology of the audience for the film in the specific society, history and culture, so as to grasp more completely the relationship between the movie art, the audience and the reality Relationship.