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《诗经演》与《诗经》,各三百篇,相隔三千年。《诗经》成于公元前十一世纪至前七世纪间,迄西周至春秋,以周公制礼作乐始,王纲解纽礼崩乐坏止,此五百年,中国文化奠其基,完成了第一番轮回。钱穆先生述及春秋时代,“往往知礼的、有学问的比较在下位,而不知礼的、无学问的却高踞上层”。范文澜先生就《诗经》及于春秋时代的“贵族文化”:“常为后世所想慕而敬重。”这“贵族文化”一词,无如说是文化的“贵族品格”更为允当。虽有“国风”出于民间的考论,但《诗经》相当部分为文人创作无疑,此可据文本所述仪式、器物及语感中
“Book of Songs” and “The Book of Songs,” each of 300, separated by three thousand years. The Book of Songs became the beginning of the Eleventh Century BC and the Spring and Autumn of the eleventh century BC. From the beginning of the Zhou Dynasty, The first round of reincarnation. Mr. Qian Mu mentioned the Spring and Autumn Period, “Often known to the ceremony, the learning is more in the next place, but I do not know the ceremony, but without knowledge but the upper ranks.” Fan Wenlan on the “Book of Songs” and the “noble culture” in the Spring and Autumn Period: “often respected for future generations and respected.” “This” aristocratic culture, “the word, as it is cultural” Noble character “more acceptable. Although ”Guofeng" is out of folk examination, a considerable part of The Book of Songs is undoubtedly created for literati. According to the rituals, artifacts and sense of language