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改革开放之后,随着国民的经济高速发展,国民生活水平不断提高,同时,外来的多元文化进入我国,充斥着人们的视野,也冲击着我国的文化。人们对外来文化感到新鲜和好奇,对中国传统文化感到厌倦,因此,具有明显地方特色文化的中原豫剧,面临着各种困难和挑战,公众的关注度越来越少,尤其是我们的80后和90后的年轻朋友。在此背景之下,研究和探讨豫剧发展存在的问题和对策,具有十分重要的现实意义和深远的历史意义。本文共分两个部分,首先阐述了中原豫剧的发展历史、特点和当前发展存在的各种问题,然后究其原因进行分析和探讨,针对存在的问题谈谈自己的对策建议。本课题是通过到剧团中亲身体验,来了解豫剧的发展。以期能为中原豫剧的发展、继承以及学术研究提供案例参考及内容支持。
After the reform and opening up, with the rapid economic development of the countrymen, the standard of living of the Chinese people has been continuously improved. At the same time, the foreign multiculturalism has entered our country, which is filled with people’s horizons and also impacted our culture. People feel fresh and curious about the foreign culture and feel tired of the traditional Chinese culture. Therefore, the Central Plains Henan Opera, which has a distinct local culture, faces various difficulties and challenges, and the public is getting less and less attention, especially after our 80s And after 90 young friends. Under this background, it is of great practical and far-reaching historical significance to study and discuss the problems and countermeasures in the development of opera in Henan Province. This article is divided into two parts. Firstly, it expounds the development history, characteristics and current problems in the development of the Central Plains Opera. Then it analyzes the reasons and discusses the countermeasures and suggestions of the existing problems. This topic is through to the theater experience, to understand the development of opera. With a view to providing case reference and content support for the development, inheritance and academic research of Central Henan Opera.