“意象”与“意境”作为我国古典美学的核心范畴之一,在中国美学理论发展中占有十分重要的地位。将诗歌文学创作中的“意象”“意境”来评述电影作品这一西方舶来品的情思与主题,是本文写作的尝试与目的所在。纵观近年来稍具艺术气息的电影作品之中,李玉的《观音山》可以说是文艺作品中的上乘之作,无论是景象的选取、演员的表 As one of the core categories of Chinese classical aesthetics, “image ” and “mood ” occupy a very important position in the development of Chinese aesthetic theory. It is the attempt and purpose of writing this article to comment on the film’s works, “Affection” and “Theme” in the literary creation. Throughout the somewhat artistic works of recent years, Li Yu’s “Guanyin Mountain” can be regarded as a superior work in literary and artistic works. Whether it is the selection of scenes,