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中国戏曲,伴随着社会变革产生的革新运动,至辛亥革命前后进入了一个新的历史阶段。自那以后的七十多午,为了使戏曲艺术的发展跟上社会形势的需要,致力于戏曲革新的先驱,诸如王钟声、欧阳予倩、周信芳、梅兰芳、焦菊隐等等,作出了种种尝试,经历了一条从改良到革新的曲折道路,给后继者以丰富的经验与启迪。循着先驱开拓的革新道路,今天健在于世的老一辈戏剧家,仍在为戏曲革新作着长期不懈地努力。李紫贵同志便是承前启后行列中的一位,如将他涉身剧坛五十多年,从演员成长为卓有成绩的戏曲导演的历程稍作回顾,便不难发现他倍尝艰辛,数十年如一日的求索精神。本文,拟对紫贵同志的艺术道路试作初步探
Chinese opera, along with the revolutionary movement resulting from social change, entered a new historical stage before and after the 1911 Revolution. For more than 70 years since then, various pioneers such as Wang Zhongsheng, Ouyang Yuqian, Zhou Xinfang, Mei Lanfang, and Jiao Juyin were devoted to keeping the development of opera art in line with the needs of the social situation. Try, experienced a tortuous path from improvement to innovation, to the successor to a wealth of experience and enlightenment. Following the path of pioneering pioneering innovation, the elder generation of dramatists alive today is still making unremitting efforts for the revolution in drama. Comrade Li Zigui is one of the leaders of the pre-empress Kai-Kai. If I look back at him in the arena for over 50 years and make a brief review of the history of the director who has grown into an accomplished actor, Seeking the spirit of the day. This article intends to Zigui art road trial preliminary exploration