阿玛拉瓦蒂(Amarāvatī)是南印度萨塔瓦哈纳王朝时期的佛教艺术中心,拥有着鲜明的艺术风格,与犍陀罗艺术、秣菟罗艺术并称为佛教艺术三大起源点。本文就阿玛拉瓦蒂大塔的结构、雕刻构件和后世影响等相关问题展开讨论。同时对比中国本土佛教造像的流派,分析讨论阿玛拉瓦蒂艺术与古青州北齐造像之间的密切联系。 Amarāvatī is a Buddhist art center of the Satawahana dynasty in South India. It has a distinctive artistic style and three origins of Buddhism, namely, Gandhara art and 秣 菟 菟 art. This article discusses the structure of the Amaravati Tower, the carvings, and the implications of later generations. At the same time, it contrasts the genre of Chinese local Buddhist statues and analyzes and discusses the close relationship between Amarawati art and the statue of the Northern Qi Dynasty in the ancient Qing state.