《围城》是钱钟书先生一生中最为重要的作品之一,而唐晓芙是作者唯一没有讽刺而大加赞赏的女性。上海这座特殊的大都市和良好的家庭教育,让唐晓芙养成了特殊的性格;加之在抗战的艰苦时代下,唐晓芙并没有失去自我,仍然坚持自己对恋爱和婚姻的原则,这也正是唐晓芙这一女性形象与众不同的最为重要的原因之一;并且唐晓芙这一形象对于同时期文学作品中女性形象的发展也有一定的借鉴作用。虽然唐晓芙在《围城》中出现的时间极短,但却有着重要的意义。本文将从“唐晓芙的性格养成”、“抗战时代下的唐晓芙”和“女性形象的发展”三个方面,来论述唐晓芙形象的文学意义。 “Besieged City” is one of the most important works in his life, and Tang Xiaofu is the only woman who has not been satirical and greatly appreciated. Shanghai, a special metropolis and a good family education, so that Tang Xiaofu developed a special character; combined with the hard time in the war, Tang Xiaofu did not lose himself, still insisted his love and marriage principles, This is also one of the most important reasons why the image of Tang Xiaofu is distinctive; and the image of Tang Xiaofu also has some reference to the development of the female image in the literary works of the same period. Although Tang Xiaofu appeared in “Besieged City” in a very short time, but it has an important meaning. This article will discuss the literary significance of Tang Xiaofu’s image from three aspects: “Tang Xiaofu’s character development”, “Tang Xiaofu under the Anti-Japanese War era” and “the development of female image”.