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作为先锋派代表人物之一的苏童,不仅具有超前的、独异的创作思想和审美理念,而且还能以丰盈巧妙的叙事方式将故事素材打磨成诗情盎然的材料。在先锋小说作家中,余华的叙事笔调是冷漠血腥的,格非是纷繁细密的,莫言是夸张赤裸的,苏童则是细腻委婉、精雕细琢的,具有诗意叙事的特点。[1]他将柔美纯情的江南水乡与中国“天人合一”文化观念自然地融为一体,展现了中国传统叙事文化的独特魅力。一、无处不在的叙事视角叙事视角是作家观察和把握对象的窗口,是叙事作品的首要特征,决定了叙述者的存在。作为正史补
As a representative of the avant-garde, Su Tong not only has advanced and unique creative thinking and aesthetic ideas, but also satirizes story material into poetic material in abundance and ingenious narration. Among the avant-garde novel writers, Yu Hua’s narrative style is indifferent and bloody. His works are complicated and meticulous. His words are exaggerated and naked. Su Tong is exquisitely euphemistic, caricatured and poetic narrative. [1] He naturally combines the feminine innocent Jiangnan Water Village with the Chinese “harmony between man and nature” to show the unique charm of Chinese traditional narrative culture. First, the ubiquitous narrative perspective Narrative perspective is the writer’s window of observation and grasp of the object, is the primary feature of narrative work, determines the existence of the narrator. As history fill