楔子大约二十余年前,已有“杨黄学派”提法在京城学术圈流传,始作俑者无稽可考,有人或戏称为“杨黄家风”。无论如何,这一概念是否具有合理性、科学性,在21世纪史学实践中是否经得住历史检验,发挥其史学指导作用,笔者提出浅陋之见,请同行学者、专家批评指正。杨荫浏(1899—1984)是民国年间横空出世的国乐大师和音乐史学泰斗。我在1980年5月参加“中国古代音乐史座谈会”期间,观摩甘肃省歌舞剧院演出大型民族 About twenty years ago, there have been “Yang Huang School” formulation circulating in the capital academic circles, the initiator of nonsense, some people or jokingly called “Yang Huang Jia Feng.” In any case, whether this concept is reasonable and scientific can withstand the historical test in historical practice in the 21st century and give play to its historiography guiding role. The author puts forward some humble opinions and urges colleagues and experts to criticize and correct it. Yang Yin Liu (1899-1984) was a master of Chinese music and a leader in music historiography that turned out in the Republic of China. I participated in the “China Ancient Music History Symposium” in May 1980 to observe the Gansu Provincial Song and Dance Theater performances of large ethnic groups