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在明末清初闲赏文化的大背景下,李渔寄情于《闲情偶寄》,向世人展示他的文艺修养和生活情趣,同时形成了李渔独特的审美观。本文尝试运用自然审美与生活审美、内感外射的审美心理交流系统的相关原理,通过以下几个问题来解读李渔《闲情偶寄·颐养部》的美学思想——《颐养部》到底透视出李渔怎样的美学观?如果李渔的审美实践活动是指向生命个体,那么究竟如何才能使生命体趋于完美?又是什么促使李渔不断追求美?
Against the backdrop of leisurely culture in the late Ming and early Qing dynasties, Li Yu is passionate about “Feelings and Feelings” to show his world his literary accomplishments and lifestyles while forming Li Yu’s unique aesthetic conception. This article attempts to use the related principles of the aesthetic psychology exchange system of natural aesthetics and life aesthetics and exoteric senses to interpret the aesthetics of Li Yu’s “Feelings and Feelings and Recipients” through the following questions What kind of aesthetic view of Li Yu? If Li Yu’s aesthetic practice refers to the life of an individual, then how to make life tend to perfection? And what prompted Li Yu’s constant pursuit of beauty?