钢琴在十九世纪中叶才传入了中国,许多年来,钢琴在中国的发展无论是从创作还是教育、演奏等方面,都主要把西方传统奉为经典。尤其在演奏曲目方面,习琴者演奏外国作品远远多于富有中国民族特色的中国乐曲。这就使得中国的钢琴学习者和演奏者对于本国的乐曲缺乏深厚的理解和认识,对于民族性的把握和歌唱性的弹奏缺乏深入的了解。 The piano was introduced to China only in the middle of the 19th century. For many years, the development of the piano in China has mainly regarded Western tradition as a classic, both in terms of creation and education. In particular, the harps played far more foreign works than the Chinese music with Chinese national characteristics. This makes Chinese piano learners and performers lack a deep understanding and understanding of the national music, lack of understanding about the mastery of the nationality and the singing performance.