论文部分内容阅读
美伦美焕的画面,凄楚悠扬的音乐,清新而又苦涩的爱的气息,这就是我对《开往春天的地铁》的最初印象。建斌和小慧的状态其实是触及当代社会婚姻普遍存在的“七年之痒”问题。随着时间的流逝,爱情的热烈渐渐归于平淡,平淡之余又会出现厌倦与摩擦,让当事者不禁想起当年恋爱的热情。为了表现过去与现在的两极反差,影片的镜头不断在过去时和现在时之间切换。我们来截取三个有代表性的片段:
Meilun US Hwan picture, sad melodious music, fresh and bitter love of breath, this is my first impression of “the subway to spring.” The state of Jianbin and Xiaohui actually touches upon the “seven-year itch” problem that is common in contemporary social marriage. With the passage of time, the warmth of love gradually attributed to the dull, there will be bored and friction, let the parties can not help but think of the passion of love. In order to show the past and present the opposite pole, the film’s lens constantly switching between the past and present. Let’s intercept three representative pieces: