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从宋代开始,梅瓶形成了比较稳定的装饰格局,每个朝代在此基础上都有特定的时代风格和流行纹饰。早期:多样化探索五代至北宋早期,梅瓶装饰主要是“胎纹釉理”模式。北宋中期开始,逐渐以“范金琢玉”式和“文彩相彰”式展开(见图1、2),分别出现了分层、分块和单体折枝三种纹饰布局格式,口、颈部绝不会出现纹饰,胫足部时有时无,腹部或肩腹部成为装饰的重心部位(见图3、4)。辽代梅瓶装饰,集中突出腹部主题饰纹,只见分层和单体折枝两种格式(见图5、6)。
From the Song Dynasty, plum bottles formed a more stable decorative pattern, each dynasty on this basis, have a specific style and popular ornamentation. Early: Diversification To explore the Five Dynasties early to the Northern Song Dynasty, plum bottle decoration is mainly “tread enamel ” mode. Beginning in the middle of the Northern Song Dynasty, they gradually expanded into three types of ornamentation layouts, namely stratification, subdivision and single folding, respectively, with “Fan Jinzhuoyu” style and “Wencaizhangzhang” style (see figures 1 and 2) Mouth, neck will not appear ornamentation, sometimes tibia foot, abdomen or shoulder to become decorative center of gravity (see Figure 3,4). Liao Mei plum decoration, focused on the theme of the abdomen highlight the decoration, I saw the single layer and the monomer fold off the two formats (see Figure 5,6).