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作者哈尔·福斯特的批评近年来一直启发着一种充满政治力量的后现代主义抵抗思潮。本书通过两个部分来阐述福特斯的思潮观点。第一部分主要关注建筑和设计,由数篇短文合成;第二部分主要关注派系和组织系统上,对现代艺术和艺术批评做出了自己的观点。在整本书中,他试图把文化和话语形式跟社会及科技力量联系起来,并结合当今时代的政治差异性,来将其划分为不同的时期。批评在今天是一件很困难的事,今天的艺术现实充满了让人困惑难解的问题。尽管这些几乎无时不有、无处不在的问题给批评提供着大量鲜活生动的材料,刺激着批评的欲望,让许多人成了有名或无名的批评家,但批评却越来越像一场热闹喧嚣的哑剧。本文通过间接批判的方式,对其大环境、作者身边的朋友和批判家们的影响,展开了一系列富有争议性的批判话题。
The criticism of author Foster has inspired a wave of postmodernist resistance that is full of political power in recent years. This book elaborates Fortus’s thought point of view through two parts. The first part mainly focuses on architecture and design, and is composed of several short essays. The second part mainly focuses on factions and organizational systems and makes their own views on modern art and artistic criticism. Throughout this book, he attempts to relate the forms of culture and discourse to the forces of society and science and technology and to divide it into different periods in the light of the political differences of the present age. Criticism is a very difficult thing today, and today’s artistic reality is fraught with perplexing problems. Although these almost, ever-present and ubiquitous issues provide critics with a great deal of lively material, stimulating the desire for criticism and leaving many people famous or unnamed critics, criticism is more and more like one Lively noisy mute. Through indirect criticism, this article has launched a series of controversial critical topics on the general environment, the influence of friends and critics around the author.