论文部分内容阅读
对于从20世纪走来的中国美术家来说,中西美术语言的交融与龃龉是每个人都无法回避的经历与课题,不管你是院校出身还是业余成才。只是这种交融与龃龉,在艺术创作者感悟生活而表达的欲望、投身创作而忘却规矩的限制时,全心投入的创作者往往如急于前行而顾不上左顾右盼的行者,使这一被艺术研究者、文化批评家看重的历史性课题,成为实践中的艺术家直觉的需要与目标。丛如日就是这样一位艺术家。
For the Chinese artists who came from the 20th century, it is an unavoidable experience and subject for both Chinese and Western art language to blend together, whether you are a college graduate or an amateur. Only this blending and coveting, in the art creators sentiment of life expression of desire to devote themselves to the creation and forget the rules of limitations, devoted themselves to the creators who are often eager to go forward and care of the left-right traveler, so that this is The historic issues that art researchers and cultural critics value are the needs and goals of artists’ instincts in practice. Congru Ri is such an artist.