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作为中国传统古典美学中最具有民族特色的核心范畴,“意境”一直是中国传统艺术孜孜追求的最高美学境界之一。而戏曲是一门综合的舞台艺术,在其表演过程中体现了虚实相生、情景交融的意境美。鉴于戏曲“四功五法”的表演传承仍基于言传身教的实际,本文将着重从戏曲舞台表演角度探讨戏曲意境的生成与营造问题,重点着眼于戏曲表演舞台意境营造的呈现,从接受“写意”美学训练的戏曲形体表演、唱念词曲、规定情境虚拟化等途径、方法与手段入手,探索其在戏曲表演训练中营造出的意境美,并加以理论的分析和总结,从而指导戏曲表演的实践与教学。
As the core category of the most traditional ethnic aesthetics in China, “artistic conception” has always been one of the highest aesthetics diligently pursued by traditional Chinese art. The drama is a comprehensive stage art, in the process of its performance reflects the reality of reality, the beauty of the artistic conception of the scene. In view of the fact that the performance inheritance of the drama “Four Power and Five Laws ” is still based on the actuality of precept and example, this article will focus on the creation and construction of the artistic conception of opera from the point of view of opera stage performances, focusing on the presentation of the artistic conception of opera stage, “Freehand” aesthetics training opera body performance, sang lyrics, the provisions of the virtual environment and other means, methods and means to start their exploration in opera performance training to create the beauty of the artistic conception, and theoretical analysis and summary to guide The Practice and Teaching of Traditional Chinese Opera.