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无可讳言,面对读者的经验世界的不断建构,我们不得不正视已经出现的这样严酷的事实:大部分作家趋时制作,拘泥于读者的经验世界之内;多数编辑力主成全作家和读者,更愿意在满足读者的经验世界中陶醉,而不少评论家也在竭诚倡导“雅俗共赏”担心作家贵族化而被读者的经验世界幽禁于“象牙之塔”(这不是我在危言耸听,国家新闻出版总署图书局副局长于庆林介绍说,仅就1987年出版的4、5百部长篇小说来看,其中75%左右是通俗小说。在全国近30家文学评论报刊上,有相当一部分评论家或曲或直地叫买叫卖“雅俗共赏”。);
There is no denying that in face of the continuous construction of the reader’s experience world, we have to face up to the harsh fact that has emerged that most writers tend to be time-bound and rigidly involved in the reader’s experience. Most editors strive to become writers and readers alike Is willing to meet the reader’s experience in the world intoxicated, and many critics are also dedicated to advocating “refined taste” worried about the author’s aristocracy and the reader’s experience of the world imprisoned in the “ivory tower” (this is not my alarmist, the State Press and Publication Administration Books At the time, Yu Qinglin, deputy director of the bureau, said: Only about 4,5% of the four hundred novels published in 1987 were of popular fiction, and in the nearly 30 literary review and press newspapers nationwide, quite a few critics or musicians Or direct call buy sell “Elegance and commonplace reward.”);