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近年来,京剧的表演过于追求形式而丢掉了其“传神”的本质。所以本文试从什么是传神,“传神”的重要性,“传神”的内涵等几个方面,来进一步研究“传神”在京剧表演中的重要意义。
In recent years, the performance of Peking Opera has been too pursuit of the form and lost its “expressive” essence. Therefore, this article tries to further study the significance of “expressive ” in the performance of Peking Opera from the aspects of the importance of “expressiveness” and the meaning of “expressiveness”.