本文探讨《红楼梦》中贾府早期家奴与曹家包衣百年史的艺术联系,认为土番家奴和焦大除了小说情节和形象自身的意义以外,还隐含着包衣曹家早期历史的信息和奴役伤痛。理解作者用笔的双向投射特点,对于深入解读《红楼梦》具有特殊意义。 This article explores the artistic relationship between the early Jiajian and Cao Jia’s centenary in A Dream of Red Mansions and holds that Tufan slave and Jiao Da, apart from the significance of the plot and the image itself, also contain the early history of coating Cao Information and bondage pain. It is of special significance to understand the two-way projection of the author’s pen.