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文献分析表明,孟子所谓“充实之谓美”意味着美就是生命完满实现其整体特性时的存在状态。孟子的这种生命美学观是在孔子全幅开辟了生命世界并强调“文”“质”相辅相成的基础之上,通过接受子思“诚则形”的本体论原则与稷下先生将生命“充盈”与“美”联系起来的思想,对先秦“和”、“全”之谓美的观念的进一步发展。它强调了“美”是生命本身自足时的存在状态而不是一种外在文饰,论证了美善统一原则,并更细致地区分了“美”的层次、突出了“美”的非现成性。这种主张从根本上表明先秦儒家既强调善也崇尚美。在中西美学视域融合下其美学意蕴与意义值得进一步阐明。
The literature analysis shows that Mencius’s so-called “enrichment means beauty” means that beauty is the state of existence when life is fully fulfilled. This kind of life aesthetics view of Mencius is based on the fact that Confucius opened up the world of life and emphasizes the complementarity of “textual” and “quality”. By accepting the ontology principle of “ The idea that Mr. Xia linked the life ”filling “ with the ”beauty “ made further development of the concept of beauty that pre-Qin ”and “ and ”all “. It emphasizes that ”beauty “ is the existence state of life itself rather than a kind of external decoration, demonstrating the principle of the unity of beauty and goodness and distinguishing the level of ”beauty "Non-ready. This proposition basically shows that pre-Qin Confucianists emphasized both good and noble. Under the integration of Chinese and Western aesthetics, its aesthetic significance and significance deserve further elucidation.