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“华丽转身”这个词,被日本《产经新闻》用来做采访杨惠姗和她的琉璃的文章题目,这个词真的太好了,用在杨惠姗的传奇艺术生涯中真美。从两度获得台湾最高的电影奖项金马奖的表演艺术的巅峰,抖落星光滑落至零点,隐默在琉璃与火的简陋工棚,饱受人间炎凉,受尽煎熬与折磨。但在几年之后,当她再度出现在世人面前之时,这位昔日的女电影明星捧出的琉璃,是那样流光溢彩,那样华美绝伦,让湮没了两千年的中国琉璃重新开始说话…… 华美的转身之后又见华美。这转身只有杨惠姗一人能够做到,因为这个艳若桃花的女人有钢铁般的意志。
The word “gorgeous turn around” was used by Japan’s Sankei Shimbun for the article interviewed by Yang Huishan and her glass. The term is really good and is really beautiful in Yang Huishan’s legendary artistic career. From the pinnacle of performing arts at the Golden Horse Award, Taiwan’s tallest movie award-winning film twice, the falling stars have slipped to zero and are hidden in the simple sheds of glass and fire. But a few years later, when she appeared again in front of the world, the glass of the former female film star was so magnificent, so gorgeous, so annihilated two years of Chinese glass to speak again ... After the gorgeous turn around to see beautiful again. This turned only Yang Huishan one person can do, because this beautiful peach woman has a steel-like will.