昆曲《血手记》改编自莎士比亚的著名悲剧《麦克白》,是以中国传统戏曲形式处理并表现外国经典戏剧题材的成功案例之一。其主题并非传统昆曲擅长的题材,但它对人物的塑造在很大程度上秉承了传统的韵味和艺术特征。本文以《麦克白》和《血手记》的舞台视频资料为基本依据,结合古典戏曲美学的相关知识,分析《血手记》在人物塑造上所体现的传统戏曲的艺术特征。 Kunqu Opera “Blood Notes” adapted from Shakespeare’s famous tragedy “Macbeth”, is one of the successful cases that deal with and show the theme of foreign classical drama in the form of Chinese traditional opera. Its theme is not the subject of traditional Kunqu Opera, but its characterization largely adheres to traditional charm and artistic features. Based on the stage video data of “Macbeth” and “Blood Shou Ji”, combined with the related knowledge of classical opera aesthetics, this article analyzes the artistic features of the traditional opera reflected in the characterization of “Blood Shou Ji”.