徐福厚以其具有鲜明古典精神追求的创作确立了他在中国油画界的地位,同时也形成了自己独特的油画色彩语言和文本样式。有专家指出,徐福厚的油画艺术是在追求一种深刻的人文理想,他在读研究生期间创作的作品《若木》、《陈述》就表达了这种人文理想,表达的是对人生终极意义的探寻和诘问。有的评论家把徐福厚放到20世纪中国油画发展的历史背景中加以考察,认为在第一阶段,他的油画作品古典情结浓郁,古典精神比较到位,他的作品体现了一种绝对理性,但同时又能把古典的东西转化成现代的东西,不是复述古典,而是把古典的精神融入现代的形式;在第二阶段,他更加有意识地营造自己独立的绘画语言,努力建造一个属于自己的文本和话语系统,在他的文本中,既有理性的抽象的结构,又有诗意的具象的形象,两者是对立和统一的。还有的评论家指出,油画作为一个西方画种,在中国经历了百年的发展,已具有了强烈的中国色彩,徐福厚的油画可以作为代表,他的画具有强烈的文人画气质,富有深度,不惟 Xu Fuhou established his position in the Chinese oil painting circle with his pursuit of distinctive classical spirit. At the same time, he formed his own unique language and style of oil painting. Some experts point out that Xu Fuhou’s oil painting art is pursuing a profound humanistic ideal. The works such as “wood” and “statement” he created during his graduate studies have expressed such humanistic ideal and expressed the search for the ultimate meaning of life And 诘 asked. Some critics have put Xu Fuhou in the historical background of the development of Chinese oil painting in the 20th century and considered that in his first phase his classical oil painting works were rich in classical sentiment and the classical spirit was in place. His works embody an absolute rationality, But at the same time transforms classical things into modern ones. It does not repeat the classic, but integrates the classical spirit into the modern form. In the second stage, he constructs his own independent drawing language more consciously and strives to build himself Text and discourse system. In his text, there is both a rational abstract structure and a poetic and figurative image, both of which are opposite and unified. Some critics also point out that oil painting, as a Western painting species, has experienced centuries of development in China and already has a strong Chinese color. Xu Fuhou’s oil painting can be used as a representative. His painting has a strong temperament of literati painting and is rich in depth ,not only