变革,是中国画自20世纪以来面临的终极命题。组织画面,是每一位国画创作者所必须解决的一个问题。而作为中国画中三大门类——山水画、人物画、花鸟画之中,对于画面的形式感尤为注重的写意花鸟画,则更为适合在其创作的过程中运用现代的审美取向与形式语言进行再创作。本文试从花鸟画的发展轨迹,以及当前的花鸟画发展中出现的新因素,探讨如何创作具有时代气息的花鸟画。 Change is the ultimate proposition Chinese painting has faced since the 20th century. Organizing the screen is a problem that every Chinese painting creator must solve. As the three major categories in Chinese painting, landscape painting, portrait painting, flower and bird painting, the freehand flower-and-bird painting that focuses on the formal sense of the painting is more suitable for using modern aesthetic orientation and formal language in its creation Create again. This article tries to explore how to create the flower and bird painting with the flavor of the times from the development of flowers and birds painting and the new factors that appear in the current development of bird and flower painting.