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戏曲重视表演形式,形式本身蕴含程式技术和审美标准,同时也蕴含着人物形象和思想立意,这是戏曲的特殊性,也是戏曲表演体系中的重要课题。本文聚焦“体系”中的一个点——谱式,上篇是研究演员继承谱式,由“死学”到“活演”的程序及规律,下篇是研究导演、演员创编谱式的程序和要点,试图为表演体系的理论大厦垫块砖。
The opera emphasizes the form of performance. The form itself contains programming techniques and aesthetic standards. It also contains characters and ideas, which are the particularities of opera and the important topics in the performance system of opera. This article focuses on a point-spectrum in “system”, the first part is the procedure and law for studying the inheritance of the performers, from “death to learning” to “live performance”. The next part is the research director, The performers compiled the program and main points of the formula, trying to block brick for the theoretical building of the performance system.