相比于国画而言,中国壁画与中国动画是更为紧密的血脉传承。敦煌壁画的“嫡生子”中国动画始自万氏兄弟,在起步阶段便以经典佳作缔造基业,几乎在每一个发展时期都有上乘之作问世,经历了上世纪上海美术电影制片厂的辉煌,使得国人在这一领域迄今亦可数典自矜。“水墨动画”为中国所独有,尤其是国画大师齐白石的画风熔铸到动画片中,当年茅盾先生一睹《小蝌蚪找妈妈》之下,惊喜备至的题诗一首,其中有句云:“何期影坛彦,创造惊鬼神。名画真能动,潜翔栩如生。”殊不知,不仅国画动起来令世界为之惊艳,直接赢得了“中国学派”的殊荣,中国壁画动起来更是铸就了中国动画电影的几部重量级大作:《大闹天宫》《九色鹿》《哪吒闹海》《天书奇谭》乃至近期的《飞天》和《敦煌》。可以说,相比于国画而言,在美术风格上给予中国动画更多滋养的实为中国壁画,中国壁画与中国动画是更为紧密的血脉传承,上述几部经典大作均可称作中国壁画的 Compared to traditional Chinese painting, Chinese murals and Chinese animations are even more closely related. Dunhuang fresco “Born child ” Chinese animation from the Wan brothers, in the early stages of the classic masterpiece to create a foundation, almost every development period have superior to come out, experienced the last century Shanghai Art Film Studio The glory, so that people in this area so far can also be self-proclaimed. “Ink Animation ” is unique to China, especially the masters of Chinese painting Qi Baishi’s style cast into the animation, when Mr. Mao Dun witnessed the “little tadpole looking for mother,” a surprise to prepare a poem, including The sentence cloud: “The stage movie Yan, create the ghost god .Modern paintings can really move, latent life is lifelike.” “As everyone knows, not only Chinese painting to make the world was amazing, won the” Chinese school “award , Chinese murals move up to create a few heavyweight masterpieces of Chinese animated films: ”Havoc in Heaven“, ”Jiu Selu“, ”Naozuohai“, ”Amagatarare“ and even the recent ”Flying“ and ”Dunhuang" . It can be said that compared with traditional Chinese painting, Chinese murals are more nourished in art style than Chinese murals. Chinese murals and Chinese animations are even more closely related to each other. These classic masterpieces can be called Chinese murals of