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一、传统古筝演奏技法——左手颤右手弹1)传统古筝左手技法最基础的可以概括为“颤、按、揉、滑”四大手法,左手的“颤音”技法是古筝艺术“以韵补声”一个最具特色的重要技法。“颤音”又很多种类,大体分为:轻颤音(又称轻颤音或小颤音)、重颤音(又称大颤音)、持续颤音、节奏颤音等等。按弦,又称按音,其演奏技法是经过左手食、中、名三指按压筝弦,控制张力的变化以控制音的音高及音准。按音还包括了滑音,也分为很多种类,常用的主要有上滑音、下滑音、连线滑音、上回滑音、下回滑音。
First, the traditional technique of playing the guzheng - the left hand trembling right hand 1) Traditional guzheng left hand technique can be summarized as the most basic “trembling, pressing, kneading, sliding,” the four major methods, the left hand “tremolo” technique is the guzheng art “To rhyme complement sound ” a most important and important technique. “Vibrato ” There are many types, generally divided into: light vibrato (also known as light tremolo or small tremolo), tremolo (also known as tremolo), sustained tremolo, tremolo and so on. According to the string, also known as the press, the performance technique is through the left hand food, the name refers to the three fingers press the kite string, control the tension changes to control the pitch and pitch of the sound. By tone also includes a slippery sound, also divided into many types, commonly used mainly on the glide sound, glide sound, glide sound on the connection, glide back on the song, glide next song.