翻开厚重的中国艺术史,乃至思想史,仿佛女性总藏匿在一个幽僻的角落里,又时而灵光闪现。除了武墨、韦皇后、西太后等少数狠角色外,绝大多数女性都成了男权主义的配角,但稍有历史常识的人都不会漠视女性所独具的性格张力。若论学术,很多人认为女性不具备男性绵密、深缜的考据能力,不料有林徽因站了出来;若论从艺的持久性与影响力,又有管道升、何香凝、方召麐、萧娴出现在男人的视野中。或许,女性非不能为,而是不愿为也。正如本文所评及的诸位女史,她们都有着令人深慕的 Open a thick Chinese art history, and even the history of ideas, as if the total female hidden in a secluded corner, and sometimes flashed. Except for a small number of ruthless characters such as Wu Mo, Wei Huang, and the Empress Dowager, the overwhelming majority of females have become patriarchal protagonists, but those with little historical common sense will not ignore the unique character tension of women. If on academic, many people think that women do not have the male dense, profound research ability, unexpectedly, Lin Huiyin stood out; if the art from the persistence and influence, there are pipe rise, He Xiangning, Fang Zhaoxiu, Xiao Xian appear In the men’s vision. Perhaps, women can not be, but do not want to be too. As the women’s history reviewed in this article, they are all very impressive