看张艺谋的新片《归来》,我有一种时空错位的感觉。作为“第五代”的领军人物,张艺谋的《归来》很像是在向“第四代”致敬。在上个世纪七八十年代之交,第四代导演拍摄了一系列的“伤痕”电影,如《苦恼人的笑》(杨延晋)、《生活的颤音》(滕文骥)、《春雨潇潇》(丁荫楠)、《巴山夜雨》(吴贻弓)、《小街》(杨延晋)、《没有航标的河流》(吴天明)等。在第四代的镜头中,人道主义旗帜是一片朦胧而温暖 See Zhang Yimou’s new film “Back”, I have a feeling of misplaced time and space. As the leader of “the fifth generation,” Zhang Yimou’s “return” is very much like paying tribute to the “fourth generation.” At the turn of the seventies and eighties of the last century, the fourth generation of directors filmed a series of “Scar” movies such as “Painful Laugh” (Yang Yanjin), “Tremolo of Life” (Teng Wen Ji), “ ”(Ding Yinan),“ Nightmare ”(Wu Yi bow),“ Street ”(Yang Yanjin),“ no navigation mark of the river ”(Wu Tianming) and so on. In the fourth generation, the humanitarian banner is dim and warm