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19世纪末20世纪初,德国浪漫乐派晚期最后一位作曲家理查·施特劳斯,用一部交响诗《查拉图斯特拉如是说》,将伟大哲学家弗里德里希·威廉·尼采的同名哲学诗,以音乐的形式向世人传达,“超人”在音乐的旋律中揭开了它神秘的面纱。本文笔者从奥地利著名心理学家西格蒙德·弗洛伊德的“人格的结构观”对理查·施特劳斯的交响诗《查拉图斯特拉如是说》中的主题与叙事的关系进行分析。
At the end of the 19th century and the beginning of the 20th century, Richard Strauss, the last composer of late German Romanticism, used the symphonic poem “Zarathustra said” to connect the great philosopher Friedrich Wilhelm William · Nietzsche’s philosophical poem of the same name conveys to the world in the form of music. “Superman” opened its mysterious veil in the melody of music. The author of this article from the famous Austrian psychologist Sigmund Freud’s “personality structure ” on the Richard Strauss symphonic poem And narrative relationship analysis.