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本文旨就群舒青铜器的装饰与铸造、用器制度与葬俗、铭文特征等三方面展开论述。文章认为这批青铜器喜用立体装饰,纹饰较简洁,同时追求器表的光洁;其用鼎方式较特殊,以对鼎与单件牺鼎的组合为主,牺鼎被认为是盛装肉汤的容器;有铭青铜器数量较少,以单个族徽式铭文为主,所见多字铭文内容与格式与中原地区基本一致。总体看,群舒青铜器特征与中原青铜器趋同,但地方特征明显,并在纹饰、制作技术、铭文等方面保留了若干春秋之前青铜器的若干特点。
This article aims to discuss the decoration and casting of Qun Shu bronze ware, the system of usage and funeral custom, and the features of inscriptions. The article holds that these bronzes like to use three-dimensional decoration, decorative more concise, while the pursuit of the instrument’s smooth; the tripod is more special way to tripod and tripod combination of single-based, sacrificial trip is considered dress bouillon Containers; there is a small number of Ming bronze inscriptions to a single emblem-based, multi-word inscription saw the content and format consistent with the Central Plains region. Overall, the characteristics of Qunshu bronze ware converged with that of Central China bronze ware, but the local features were obvious. Some features of the bronze ware before the Spring and Autumn Period were retained in decoration, production techniques and inscriptions.