忽视中国传统艺术的完整性、系统性和动态的演进历程,其结果可想而知。单一的语言绝对表现不出当下鲜活的时代特征,色彩的传统与用墨的传统是一样的久远,敦煌洞窟中历代壁画用色的艳丽、厚重、凄婉均反映了色彩背后的时代“隐语”。唐李思训《江帆楼阁》、五代徐熙《玉堂富贵图》,清虚谷《桃实图》均在设色中透露出他们各自的用色情愫。随类设色,用彩色表现其内心的情感及对色彩“自然”的感悟。几千年的中国画,其设色的路走得很长,更 Ignoring the integrity, systematicness and dynamic evolution of traditional Chinese art, the result can be imagined. The single language can not express the vivid characteristics of the times. The tradition of color is the same as the tradition of using ink. The ancient murals in Dunhuang Grottoes are beautiful, heavy and sad, all reflecting the time behind the color. . Tang Li Sijun “Jiang Fan Pavilion”, the Five Dynasties Xu Xi “Yutang wealth map”, Qingxigu “Peach Map” are in color to reveal their own use of pornography. Coloring with the class, using color to express their inner feelings and color “natural” perception. Thousands of years of Chinese painting, the color of the road to go a long, more