纵观中国音乐美学史,实际上就是一部儒道音乐美学思想发展与演变,交融、互补的历史。 儒道两家音乐美学思想有着共同的源头,皆由春秋前萌芽状态的诸多音乐美学观点发展而来。儒家主要继承了孔子前关于音乐与社会的关系,乐与礼的关系这一主要观点,强调“以礼制乐”、“礼乐治国”的思想,重视音乐的政治作用、教化作用,追求社会群体的统一、上下等级的统一,从而发展成系统的“礼乐思想”。道家主要继承了孔 Throughout the history of Chinese music and aesthetics, it is actually a history of the development, evolution, blending and complementarity of aesthetics of Confucianism and music. Confucianism and Taoism both musical aesthetics have a common source, all from the spring and Autumn budding state of many musical aesthetic point of view. Confucianism mainly inherited the main pre-Confucius view on the relationship between music and society and the relationship between music and ceremony, emphasizing the thought of “ritual music and ruling by rites and music”, attaching importance to the political role of music, enlightenment and the pursuit of society The unity of the group, the unity of the upper and lower levels, thus developing into a systematic “ritual and musical thought.” Taoism inherited the main hole