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赛金花题材的作品在20世纪不同时期承载着有差异的被解读。抗日战争时期,赛金花题材在巴人的《彩云曲》、夏衍的话剧《赛金花》中得到了再一次的解读,一时间在文学评论界掀起了浪潮。面对夏衍、鲁迅、茅盾对此提出的说明与质疑,阿英在坚持无产阶级唯物史观革命理论的同时,对赛金花主题做出了自己的理解:不是作为封建阶级的没落人物,也不是作为英雄,而只是一位有血有肉的小人物,在回归人物真实的前提下,以赛金花为线串联起历史、时事,表达对历史的讽喻。
The works of Saijinhua have been interpreted differently in different periods of the 20th century. During the period of the War of Resistance Against Japan, Saijinhua’s theme was once again interpreted by the Ba People’s “Choi Yun Qu” and Xia Yan’s drama “Sai Jin Hua”, setting off a wave in literary critics for some time. Faced with the explanations and doubts raised by Xia Yan, Lu Xun and Mao Dun, while holding on to the revolutionary theory of proletariat’s historical materialism, Ah Ying made his own understanding of the theme of Saigon Flower: not as a declining figure of the feudal class, Not as a hero, but as a frivolous little man. Returning to the truth of his characters, he took Saijinhua as a series of allegories of history, current events and expressions of history.