最近,笔者在网上看到张晓刚的作品在美国纽约“中国当代艺术拍卖会”上以近百万美金的价位成拍,成为当场拍卖会的最高价作品。这种现象究竟说明什么呢?当然,我们不能说中国艺术只要在国际上高价拍卖就指斥其西方化,而是要对这一现象做擦入的思考和分析。问题的核心不是中国艺术家是否应该走红西方艺坛,也不是中 Recently, I saw Zhang Xiaogang’s works posted on the Internet at a price of nearly one million U.S. dollars at the auction of contemporary Chinese art in New York, making her the highest-priced auction on the spot. Of course, we can not say that Chinese art, as long as the international art auction is high, denounces its Westernization, but instead makes thinking and analysis of this phenomenon. The crux of the matter is not whether or not Chinese artists should become popular in Western art nor is it