中国古人和现代作家的言说都谈到了情感对艺术创作、艺术作品的重要性,是对我国古代“缘情”理论的继承与发展,和托尔斯泰的情感艺术观是有相通性的。但《艺术论》并未被中国现当代文艺界所接受,托尔斯泰遭到了冷遇和否定,原因值得我们反思。 Both Chinese ancients and modern writers talked about the importance of emotion to artistic creation and works of art. They are allied to the inheritance and development of the ancient Chinese theory of sentiments and the emotional art view of Tolstoy of. However, “Art Theory” has not been accepted by the Chinese contemporary literary and art circles. Tolstoy was cold-hearted and negated, and the reason deserved our reflection.