论文部分内容阅读
去年秋天.我应浙江画院《中国画》杂志的约稿.写过一篇关于人物画创作的文章.叫做《后中国画时期的选择》.主要谈我自己的创作理念和一些有关人物画的想法.文章发表之后.有些朋友有些不同的看法与我交流.听到这些不同的意见我很高兴,促使我对有些问题作出进一步的思考.又有了些新的想法.恰逢山东齐鲁美术馆邀请我和我的学生们联合做一个展览.要我就人物画的创作教学写点文字.我现在把这些想法写出来.算作是展览的前言吧.先谈现代人物画与传统人物画的关系问题.我之所以并列地提现代与传统两种人物画.是因为在我看来.现代人物
Last autumn, I wrote an article on “Chinese Painting” at the Zhejiang Art Academy and wrote an essay on the creation of figure paintings called “the choice of the post-Chinese painting period.” I mainly talked about my own creative ideas and some thoughts on portrait painting. After the article was published, some of my friends exchanged views with me in different ways and I was glad to hear these different opinions, prompting me to make further thinking on some issues and got some new ideas. At the invitation of Shandong Qilu Art Museum, And my students to do an exhibition jointly .I asked me to write a few words on the teaching of the creation of figure painting .I now write these ideas.Calculated as the preface of the exhibition.First talk about the relationship between the modern portrait painting and the traditional portrait painting The reason why I put both modern and traditional portrait paintings side by side is because in my opinion, modern people