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吴冠中《我看书法》一文说,对石涛及郑板桥的题跋很喜爱,因那几乎也就是绘画。~([1])郑板桥的书法,以其“六分半书”最有名声,他将诸体杂糅,同时加入了画法,而在其画法中,又融入了书法的笔法,实现了书画的融通。本文试从郑板桥的题款书法着手作点滴之论,以请教于诸方家。书法与画法的交融性郑板桥学习书法中善于联系自然物象,常常体现出画家的独到眼光。上海博物馆藏《行书论书轴》写
Wu Guanzhong “I read the calligraphy,” a text that Shi Tao and Zheng Banqiao’s Postscript favorite, because that is almost painting. The calligraphy of Zheng Banqiao is best known for his “Six-Part Book”. He mixed all kinds of works and joined the painting method. However, in his painting method, he also incorporated calligraphy, To achieve the melting of calligraphy and painting. This article tries to start from the inscriptions on the Ban Banqiao trickle of theory, to consult in the Fangjia. The blend of calligraphy and painting Zheng Banqiao learn calligraphy is good at contact with natural objects, often reflects the artist’s unique vision. Shanghai Museum Collection “Xing Shu Lun Shao” write