人类进入20世纪以来,戏剧舞台形成三足鼎立的三大演剧流派,即以斯坦尼斯拉夫斯基为代表的写实话剧表演体系;以布莱希特为代表的叙述体话剧表演体系;以梅兰芳为代表的写意戏曲表演体系。戏曲表演体系的标志,是戏曲表演独特的审美特征。其审美特征包括外部特征和内部特征。外部特征是虚拟性的程式化歌舞;内部特征是写意性的意境化抒情。外部特征是直观的,直接诉诸视听;内部特征是潜在的,间接诉诸心灵。外部特征与内部特征有机统一,即表演 Since the 20th century, mankind has entered the stage of drama and has formed the three major schools of dramatic drama, that is, the realistic drama performance system represented by Stanislavsky; the narrative drama performance system represented by Brecht; As the representative of freehand drama performance system. The symbol of the performance system of opera is the unique aesthetic characteristic of traditional Chinese opera. Its aesthetic features include external features and internal features. External features are virtual stylized song and dance; internal features are freehand mood of the mood. External features are intuitive and direct appeal to the audiovisual; internal features are latent, indirect appeals to the soul. External characteristics and internal characteristics of the organic unity, that performance