从现象学的角度看,《文心雕龙.定势》篇中的“势”具有非现成性、在直接对作品的体验中被当场构成、境域化生成等三个方面的特征。刘勰在《文心雕龙.定势》篇中并没有给灵动不居的“势”抽象出一个形而上的概念,而是在避虚就实地探讨决定“势”形成的语境。他的势论阐述了“情”、“体”与“势”之间的关系,体现了“势”境域化生成的特点。 From the point of view of phenomenology, “potential” in “Wen Xin Diao Long. Ding Wei” is characterized by three aspects: non-presentability, being formed on the spot in the direct experience of the work, and being formed in a territory. Liu Xie did not abstract a metaphysical concept of “potential” in the book “The Literary Mind and the Carving of Dragons.” But instead explored the context of deciding the “potential” in the field. His potential theory elaborates the relationship between “love”, “body” and “potential”, and embodies the characteristics of the “potential” of the formation of the territory.