自古以来人物画中描绘女性题材居多,而男权社会中,画笔中的女性皆是男性理想主义视角的表现。20世纪以来,女性在社会中的地位逐步提升,1918年秋刘海粟与画友创办的上海图画院开始招收女生,女性逐渐自省并立足于自身命运和生存状态的思考。直至今日,观摩了孔超的作品展,更加深刻的体会到女性艺术家思考的独立性与自我表达的游刃性。 Since ancient times, the portraits of women in the portraits have been mostly portrayed, whereas in the patriarchal society, the women in the brushstrokes are all manifestations of male idealism. Since the twentieth century, the status of women in society has gradually increased. In the autumn of 1918, the Shanghai Art Academy founded by Liu Haisu and his friends began to recruit girls and women who gradually introspected themselves based on their own destiny and existence. Up till now, I have seen the exhibition of Kong Chao and more deeply understand the independence and self-expression of female artists’ thinking.